Way Back 2026

Songs a-Plenty from Motown,
J5, G. Kelly, J.L. Hooker
and the Impressions

Box office leader Michael, the biopic starring Michael Jackson's nephew Jaafar Jackson, works in a few pre-Jackson Five/MJ songs, nearly all from Motown: early Berry Gordy production "Money (That's What I Want)" by Barrett Strong, Gladys Knight and the Pips' '67 jam "I Heard it Through the Grapevine," "Oh How Happy" by Edwin Starr and Blinky (penned by Starr) and the one without any Detroit origins ... MORE ››

Top 100 Lists

Duane Eddy

Duane Eddy has two contributions to the Top 100 Car Songs of the '50s and '60s including "Drivin' Home"...see the titles of the other 98 auto tunes ... MORE ››

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THE BROWNS

The Browns

The "Nashville Sound" of the late 1950s incorporated pop production values as a way to broaden its appeal to mainstream listeners, though it endured widespread criticism from C&W purists. Yet it was successful in terms of record sales and provided greater opportunities for singers and musicians like Marty Robbins, Sonny James, Ferlin Husky and Jim Reeves, some of whom adjusted their approach to performing as early as 1956. The Browns may well be the first country group to employ this style, easing into the sound quite naturally. Coming up at the same time as Elvis Presley, the Browns had very little in common with his technique, but appealed to the same general audience. Touring together during those first couple of years, it turns out they were ... MORE ››



Vinyl Attack Millie Small

My Boy Lollipop
by
Millie Small

Blue beat, as a music term, seems to have fallen by the wayside, but in the 1960s its use in England, and later in the U.S., served as a way to describe Jamaican ska, the island nation's hottest musical trend of that decade. Harry Belafonte had been largely responsible for calypso, a traditional music of Trinidad, reaching a massive worldwide audience ... MORE ››